DAWALK FASHION SHOW: OLAMODA SARTORIAL SHINES IN ABUJA, CELEBRATING CULTURE AND CREATIVITY
By Yemisi Suleiman
Abuja recently played host to the Dawalk Fashion Show, a craftmanship innovative and transformative fashion premier event that is not only shaping the fashion industry but also redefining cultural and African narratives in Nigeria.

With over 30 designers and fashion entrepreneurs showcasing their creativity, the annual exhibition continues to serve as a beacon for innovation and a platform for celebrating the fusion of tradition and modernity.
Beyond the glitz and glamour, the Dawalk Fashion Show represents a powerful cultural statement, one that speaks to identity, resilience, and the global relevance of African craftsmanship.

This year’s edition was a celebration of emerging talent, giving promising designers a platform to share their unique perspectives with fashion enthusiasts, critics, and key stakeholders.
The designs on display, infused with cultural authenticity and contemporary flair , highlighted the power of fashion as a tool for storytelling, a means of economic empowerment, and a vehicle for projecting Africa’s creative voice onto the global stage.
Among the standout designers, Olamoda Sartorial, led by Akinlolu Soroye, took center stage with its Ode of Elegance collection. The collection was more than a showcase of beautiful clothing , it was a poetic homage to African culture, a narrative woven into every stitch that celebrated heritage while embracing modernity.
Olamoda Sartorial’s use of Ankara fabrics, with bold and striking prints, symbolized a broader cultural movement: reclaiming traditional African textiles and reinterpreting them for contemporary audiences. The designs ranging from tailored dresses and skirts to palazzo trousers, crop tops, jumpsuits, and Ankara jackets demonstrated a versatility that reflects the dynamism of the modern African identity.
By elevating Ankara beyond its traditional roots, Olamoda Sartorial is contributing to a growing global appreciation for African aesthetics. The brand’s creations challenged stereotypes, proving that African fashion is not just vibrant and celebratory but also sophisticated, innovative, and forward-thinking.
The Dawalk Fashion Show highlighted the intersection of fashion and social identity. Akinlolu Soroye’s Ode of Elegance did more than showcase clothing; it told a story of pride, resilience, and cultural renaissance. Each piece was a statement about the importance of preserving heritage in a rapidly globalizing world.

In a time when Africa’s cultural treasures are often appropriated or misunderstood, designers like Soroye are reclaiming the narrative. His work challenges consumers to think critically about where their clothing comes from and whose stories it tells. The collection demonstrated how fashion can serve as a tool for empowerment providing opportunities for artisans, driving local economies, and reshaping how African culture is perceived on the global stage.
Olamoda Sartorial’s bold designs also serve as a reminder of the transformative potential of the fashion industry. The meticulous craftsmanship and creative vision behind the Ode of Elegance collection reflected a commitment to elevating local talent. Fashion, in this context, becomes a means of creating jobs, fostering entrepreneurship, and inspiring the next generation of designers.
The palazzo designs, a standout feature of the collection, epitomized the brand’s ability to marry tradition with innovation. These designs, steeped in confidence and creativity, exemplified how African designers can compete and lead on the global fashion stage.
The Dawalk Fashion Show was more than an event; it was a movement. It underscored the importance of representation in the fashion industry, both locally and globally. By celebrating African heritage while embracing innovation, the show challenged the status quo and invited audiences to reconsider the role of fashion in shaping cultural and social identities.
Olamoda Sartorial’s success at the show is a testament to the power of intention and creativity. It stands as a beacon for what is possible when tradition meets innovation, and when design is used not just to clothe the body but to express the soul of a people.
As the applause echoed through the venue and the vibrant fabrics faded into memory, one thing was clear: the Dawalk Fashion Show had once again proven that fashion is more than aesthetics. It is culture. It is identity. It is power. And with designers like Akinlolu Soroye at the forefront, the future of African fashion and its social impact is undeniably bright.