A Closer Look at Slickfit’s Palace of Colours Collection
By Yemisi Suleiman
Godwin A Ideho’s latest collection for Slickfit, The Palace of Colours, builds itself around bold Ankara prints, fine tailoring, and a sense of visual consistency that runs across all 13 looks.

The first impression is striking: coordinated sets of jackets, shirts, and trousers cut from the same cloth create a sense of uniformity that is both deliberate and commanding. Yet the reliance on uniformity also raises questions about whether the collection risks sacrificing variety for cohesion.
A standout example is the red floral suit. Its fabric is alive with shades of red, green, and yellow, the large leafy motifs offering strong visual identity. The cut is precise, balancing the intensity of the print with a fitted jacket and straight trousers. In this case, tailoring and fabric work together successfully.
But viewed against the wider collection, the same approach is repeated often, sometimes too predictably, making certain looks blur into one another rather than stand apart.
The tailoring throughout is careful and consistent jackets taper neatly, trousers hold their shape, and silhouettes are never careless. This precision prevents the prints from feeling chaotic. Still, because the focus falls so heavily on the fabric, there are moments where silhouette takes a secondary role, offering less experimentation in shape than the boldness of the prints might suggest.
Colour dominates the narrative of The Palace of Colours. Brighter palettes of red and yellow coexist with darker, green-led compositions, providing some range within the collection. However, the shifts in tone are often subtle, meaning the variety is more restrained than the title implies. While this unity strengthens the overall vision, it also narrows the collection’s versatility.
What the collection communicates clearly is confidence. These are clothes made for presence rather than subtlety, and for wearers who want their clothing to command attention. Yet in prioritising uniformity and print, the collection sometimes limits its adaptability. The Palace of Colours succeeds in presenting a bold, coherent vision, but at times coherence comes at the expense of surprise.
















